Jacques, J.-M. (2006) ‘Nicandre de Colophon, poète et médecin’, in C. Cusset (ed. and the connections she had in Cyzicus. Caneva, Stefano. By, associating the victor with both princes, moreover, our poet draws an implicit link between the, ancient rulers of both mainland Greece and Asia Minor. Particularly notable, arly controversy over Nestor’s cup: a striking specimen of both minute composition and scholarly, thus be better to draw a parallel contrast in each kingdom between the more refined display of. 1 (2005), 98-121. The dates of her birth and death are unclear; scholars estimate that she was born around 240 BCE., while estimating her death as any time between 175 and 159 BCE. Attalus I (Müller (1989) 538; Kosmetatou (2003) 164). 7–8), our poem may equally hint at its own, that derives from a well-known moment of Homeric self-reflexivity. original location in Pergamon is unknown, to fuel further our reconsideration of Pergamene aesthetics (, Dionysodorus from Sicyon, the son of Deinocrates, dedicated me, wine-loving Skirtos, to you, son of, Thyone, and to King Attalus (the art is Thoinias’, the conception Pratinaean). 18.51.3-8. The citizens of her kingdom would thus come to a conclusion of her presence in their lives as a “queen-mother,” whether you are a man living vicariously through her born-sons, or a woman living vicariously through her religious-daughters. London: Palgrave Macmillan, 2018a. Livingstone, Niall, and Gideon Nisbet. She is the author of Les philoi royaux dans l'Asie hellénistique (1998). Savalli-Lestrade 2001: 78-79: „[…] les Attalides, en revanche, ont fondé leur pouvoir sur la bour­geoisie civique, ont défendu de manière prioritaire les intérêts des celle-ci et ont façonné leur État d'après d'une polis grecque". Oxford: Blackwell: pp. She maintained balance between a public and private[22] household, often using her own reputation as a “perfect” mother to increase her power and importance, or used by others to increase their own by association (as was the case her husband, sons, and daughter-in-law[23]). F. Queyrel, L'Autel de Pergame. J.-C. Maurice Sartre, professeur d'Histoire ancienne à l'Université de Tours, membre senior de l'Institut Universitaire de France, est spécialiste de l'histoire de la Méditerranée orientale aux époques hellénistique et impériale. fr. Pergamene courtier, the admiral Dionysodorus from Sicyon, who played a key role in the Battle, of Chios against Philip V in 201 BC and participated in the negotiations between Flamininus and, the poem is not named – perhaps Dionysodorus himself or his fellow Sicyonian Mnasalces –, whether composed by a local poet or not, the epigram is clearly designed to be read within a, Skirtos hopes that Dionysodorus will be treated favourably by the king and god in future, a prayer, whose positive fulfilment is perhaps reflected by the king’s various benefactions to Dionysodorus’. Mnasalces: See Kassel (1990), who notes how the caesura in, I thank an anonymous reviewer for drawing my, Such a reference would have carried a significant local resonance for. Kosmetatou, E. "A numismatic commentary of the inventory lists of the Athenian acropolis . Alexandre Le Grand a conquis en treize ans de regne un immense empire, dans lequel circulaient des numerarires varies. 65 Pol. Apollonis (griechisch Ἀπολλωνίς Apollōnís) war die Frau von Attalus I., dem ersten Herrscher von Pergamon (heute Bergama, Türkei). Simias, Timachidas, etc. and Alexandrian aesthetics as an opposition between the baroque and the refined. Zanon 2009:141-3 argues convincingly for this early building date, citing that the “thanksgiving” inscription to a mother-goddess in celebration of “a gift that ensured the continuation of the Attalid dynasty and promised prosperity to the kingdom as a whole” would be appropriate “at Pergamon where there had been difficulty securing the line of succession,” and “if the renovation was carried out at a later date, when her sons were grown, Apollonis would likely not have given it as a thank-offering but, perhaps, in memory of her late husband or as a gift to the city of Pergamon. Apollonis (Greek Ἀπολλωνίς Apollōnís) was the wife of Attalus I, the first ruler of Pergamon (now Bergama, Turkey). Etienne, Roland. The Community of Deities on the Great Frieze of the Pergamum Altar as a Paradigm of Cross-cultural Ideas.” In Conventional Values of the Hellenistic Greeks, edited by Per Bilde et al., 48–66. dichotomy cannot be maintained under scrutiny. Müller and Wörrle 2002 date an inscription to 168-64 describing her as ‘thea,’ putting the latest date, according to Mirón 2018a:41, at 164 BCE. etymology of which was much debated by Hellenistic scholars; occurs only once before in extant poetry, as part of Zethus’. Pallas, no. Iossif 2012 translates this title to English as: “Apollonis the divine, the pious, the one who disembarks.”. 23.362–533) the narrator’s attention shifts between competitors (rather than staying focused, One approach to this question is to treat Sophocles’, In addition, the specific choice of Libya, Ar, and Thessaly had been under Macedonian control since Philip, At this early date, when Pergamon was still subordinated to the, the choice of these specific opponents suggests that the dynasty was already posi-, and not just that, but also an account that is itself a complete fiction and fabrica-, A geographical interest is also suggested by the, For the shifting relationship between the Attalids. At the same time, it elevated the whole dynasty and its self-representation as a paradigm of family virtues.” She continues on 215: “There were fertile royal mothers in other dynasties, like Laodike III, but even when their status as mothers was present in their public image, motherhood did not play the central role observable for Apollonis, nor was affection between mother and children so highly emphasized.”. bonjour à tous les passionés d'Histoire antique je cherche des livres orientés sur l'étude de Pergame à l'époque archaîque et hellénistique. Fehr, Burkhard. Berkeley: University of California Press, 1995. [...] Les Attalides ont fait de la glorification du rôle conjugal et maternel de la reine l'un des piliers de leur propagande dynastique.”. Trouvé à l'intérieur – Page 454Le traité entre lasos et Prolémée ler ( IK 28 , 1 , 2–3 ) et les relations entre les cités grecques d'Asie Mineure et ... Hamon , P .: Les prêtre du culte royal dans la capitale des Attalides : note sur le décret de Pergame en l'honneur ... (1993) ‘Hermesianax and the tattoo elegy (, Snell, B. [27] Vgl. Cette attribution de la citoyenneté témoigne de la proximité de ce groupe ethnique avec Pergame et les Attalides et renforce la valeur symbolique de leur présence dans la procession de Daphné. This fruitful motherhood would have been significant both in terms of her prestige within the royal family and in the construction of her public image. Attalides de Pergame. Dans l'Antiquité déjà, les rapports entre la Grèce et Rome étaient l'objet d'interrogations pressantes ; ici les liens institutionnels et idéologiques entre la Grèce d'après Alexandre et l'Empire romain forment le coeur de cet ... Chaniotis 2003 & Walbank 1993. Van Looy 1976:154 writes about Apollonis’ family receiving priesthoods: “...plusieurs membres de la famille d'Apollonis occupèrent des fonctions sacerdotales tandis que Sosandros [Apollonis’ relative] porta le titre de σύντροφος et ἀναγκαϊοςdu souverain régnant et fut chargé de plusieurs missions.” Hasluck 1910:176 claims another Athenaeus, “a Cyzicene citizen of Apollonis' family, was presented to the important priesthood of Dionysus Kathegemon at Pergamum.”, Van Looy 1976:154 writes: “Tandis que les trois premiers fils d'Attale I et d'Apollonis, Eumène, Attale et Philétairos, portaient des noms propres à la dynastie des Attalides, le cadet reçut le nom de son grand-père maternal, ce qui fut certainement apprécié à Cyzique et probablement aussi en Grèce.”. Coimbra: Imprensa da Universidade de Coimbra, 2015. Certain aspects about the Teos cult or her in-life projects likely had parallels in her worship at Cyzicus, particularly in her association with Aphrodite[82] or Demeter, the epithets she received,[83] and the religious celebrations.[84]. Il s'est greffé sur les traditions et les divinités populaires dont la religion grecque montre une telle abondance. 1–2), crowded chariots (ἁθρόα, vv. On this poem, see von der Mühll (1956) 717–20; Thus Fränkel (1890) 8; von der Mühll (1956) 719; I thank Aneurin Ellis-Evans for encouraging me, I.12: Ἐπίγονος | ἐποίησεν. First, I consider its generic status and compare its encomiastic strategies with those of Theocritus' Encomium of Ptolemy Philadelphus (Idyll. (2016) ‘Pentameters’, in E. Sistakou and A. Rengakos (eds). Le register supérieur de la paroi est de la chamber funéraire (AII/ F/ E sup)." Bulletin de l'Institut Français d'Archéologie Orientale 105: 129- 38. Dionysodorus: Müller (1989) 535. Piok Zanon, Cornelie. An encomiastic function is attested at the Ptolemaic court. “Queens and Ruler Cults in Early Hellenism: Festivals, Administration, and Ideology.” Kernos 25 (2012): 75–101. Austin, Michel. As it stands, it is thus unclear how, works of other genres that are now completely lost would fit into the picture, such as Musaeus’, survives there is nevertheless no good reason to continue subscribing to the idea of a deep-rooted, opposition between Alexandrian refinement and the Per. Iossif, Panagiotis P. “Apollonis, wife of Attalos I.” In The Encyclopedia of Ancient History, edited by R.S. The city decreed divine honours and established an altar “in the most conspicuous place,”[75] dedicated to thea Apollonis eusebes apobateria[76] (θεά Απολλωνίς Ευσεβής)[77]. ISBN 1-4051-3278-7. [45] Some prominent praises are as follows: Her connection to family offered another avenue for her own political gain, in the form of influence over her husband and sons[49] (and by extension, their policies, decisions, etc.) ’, in B. Acosta-Hughes, E. Kosmetatou and M. Baumbach (eds), The Land of the Elephant Kings: Space, Territory, Voir les mythes: poésie hellénistique et arts figurés, Statius and Epic Games: Sport, Politics and Poetics in the, (Quaderni dei seminari romani di cultura greca 1) (Rome), Olympionikai: i vincitori negli antichi agoni olimpici, Repetition, Communication, and Meaning in the Ancient W, Auctor in bibliotheca: essai sur les textes préfaciels de V, (Bibliothèque d’études classiques 46) (Leuven, Paris and Dudley), Poetologische Bildersprache in der frühgriechischen Dichtung, Art and Thought in the Hellenistic Age: The Greek W, (Schweizerische Beiträge zur Altertumswissenschaft 35) (Basel), La storiografia sui Seleucidi: da Megastene a Eusebio di Cesarea, Regards alexandrins: histoire et théorie des arts dans l’épigramme hellénistique, Géants et Gigantomachies entre Orient et Occident, (Collection du Centre Jean Bérard 47) (Naples), Les portraits des Attalides: fonction et représentation, The Classical Priamel from Homer to Boethius, Simonides the Poet: Intertextuality and Reception, Untersuchungen zur Kulturpolitik der pergamenischen Herrscher im dritten Jahrhun-, Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to, Asclepiades of Samos: Epigrams and Fragments, Seeing Double: Intercultural Poetics in Ptolemaic Alexandria, (Columbia Studies in the Classical Tradi-, Rome and the Seleukid East: Selected Papers from Seleukid Study Day V, (Collection Latomus 360) (Brussels) 61–85, Language and Linguistic Contact in Ancient Sicily, L’epos ellenistico: un capitolo dimenticato della poesia gr. Scoptic at Rome is strongly influenced by native Latin invective, as well as Hellenistic epigram, and popular epigrams, often obscene, are widely quoted by the biographers to represent the views of the common soldier or the average citizen. Énumérons les plus importantes : Achaïos en 223, Philippe V en 201, Séleucos, le fils d'Antiochos III en 190 et Prousias II de Bithynie en 15514. 62 (2003): 41-61. Jh. Hellenistic art forms derive not from an underlying aesthetic divide between two kingdoms, but, rather from differing contexts of display, Ultimately, the issue thus draws back to Jim Porter’, aesthetics. geboren wurde, während sie ihren Tod zwischen 175 und 159 v. Chr. The dates of her birth and death are unclear; scholars estimate that she was born around 240 BCE. ↑ Strabon, 13.4.2, dit qu'il était le cousin d'Eumène. Neumer-Pfau, W. Studien zur Ikonographie und gesellschaftlichen Funktion hellenistischer Aphrodite-Statuen. Trouvé à l'intérieurSi la propagande du roi bithynien s'est révélée peu efficace dans l'immédiat (les Attalides restaient aux yeux des cités ... Le legs d'Attale III de Pergame en 133 À la mort d'Attale II, en 139, arrive au pouvoir son neveu Attale III. goes back to classical epinician itself: for example, which celebrates Pergamon’s fame for both ‘arms’, ‘horses’ (Πέργαμος οὐχ ὅπλοις κλεινὴ μόνον, ἀλλὰ καὶ, the third century, and his head with the same legend, occurs on some bronze coins of the Roman Imperial, the allusions to Orestes and Hector could be read more, revenge for Troy (the house of Priam) against the Greek, victors of the past (the house of Agamemnon). © 2008-2021 ResearchGate GmbH. See Robert 1970:314–6. But it also, betrays a learned interest in the origins and categorization of poetic genres. “Il problema degli stilopinakia del templo di Apollonis a Cizico. 1 (2002): 17-33. 18 which it is fixed (Dunbabin (1999) 28–30). Fait le point sur les processus et les stratégies d'élaboration et de transmission des phénomènes identitaires, culturels et communautaires dans le monde méditerranéen pendant l'Antiquité. She was praised for this “exemplary” fertility and her motherhood was thereafter stressed as a fundamental part of her identity,[10] as family virtues were for the whole of the Attalid dynasty. Moreno (1994) 1.292–96 suggests that the marble, Polyb. (grecs) voilà j'attends vos réponses. This is further complicated by the Attalids’ practice of “limited divine honours”[70] in life and deification only after death, to contrast the practice of the Ptolemies and the Seleucids.[71]. Ancient Society 29 (1998): 175-89. It develops in the Hellenistic period and reaches its height in Rome in the early empire. In this paper, I explore the literary aesthetics of, Fantuzzi (1988) l–liii; Cameron (1995) 282. iv et v.; 7 Parallèlement à ce monnayage royal en argent, les Attalides ont émis un monnayage de bronze, au nom de Philétaire également (fig. In the Katha Upanishad the chariot is a metaphor for sacrifice and fire altar, and a redeployment of the chariot imagery and narrative setting used in the earlier Katha Brahmana .The metaphysics of the Katha Upanishad should be contextualised as the component of a hieratic canon. This chapter explores the performance contexts of Hellenistic poetry, the viewing contexts of Hellenistic art, and what bearing these have on the shaping of a specifically Hellenistic aesthetic. Karin Mackowiak, Les testaments royaux hellénistiques et l'impérialisme romain : deux cultures politiques dans la marche de l'histoire, DHA 33/1, 2007, 23-46. Upon the death of Attalus I in 197 BCE, she remained an influential part of the household in her widowhood, as she was the only woman of authority for many years and saw to her relatively-young sons’[11] education. In reality, scholarly narratives of a gigantomachic clash between the Per, Alexandrian refinement, however appealing to our structuralist urges, are as fictional and fabricated. Apollonis (griechisch Ἀπολλωνίς Apollōnís) war die Frau von Attalus I., dem ersten Herrscher von Pergamon (heute Bergama, Türkei). Oxford; Philadelphia: Oxbow Books, 2018b. Google Scholar Scoptic (“mockery”) is the corollary of panegyric. ), as does Cos (especially, (1967)), which has prompted biographical speculation. La smania di avere antenati illustri o di rango è una debolezza comune tanto agli antichi quanto ai moderni, se è vero che Antonio De Curtis, in arte Totò, all'anagrafe figlio di Anna Clemente, nubile, e di padre ignoto, 1. acknowledge that the poetry and art of both kingdoms could exploit both these extremes. [...] ...the figure of the new queen was shaped by the model of the queen mother, in solidarity and continuance with her.”, Bielman 2003:60 writes: “La royauté féminine grecque présente, par plusieurs aspects, un étroit parallélisme avec la royauté masculine : comme les rois, les reines séleucides et attalides se caractérisaient par des privilèges, des titres, des actes diplomatiques et évergétiques spécifiques ; comme les rois, les reines étaient des personnages publics et leur univers domestique revêtait nécessairement une coloration politique ; comme les rois, les reines participaient activement à la construction de l'idéologie dynastique et de la propagande royale.”, Zanon 2009:151 writes: “Monuments like the Sanctuary of Athena and the Great Altar at Pergamon, or the Stoa of Attalos II at Athens have been discussed as representatives of a new, Pergamene, building style — first formulated in the second century and with the intent to advance the dynasty and to communicate notions of royalty and prosperity, history and longevity.”. The Great. On the reconstruction of the events leading to the dedication of the monument associated with the Philetairos Base on Delos see the forthcoming study by E. Kosmetatou and A. Petrovic. Le sanctuaire d'Athéna, situé sur la terrasse de l'Acropole juste au-dessus du théâtre, entre le temple de Trajan et le Grand Autel, est le plus ancien temple de Pergame, du IV e siècle av. E. Kosmetatou, The Attalids of Pergamon, in A. Erskine (ed. A story in V itruvius holds that the Attalids invented libraries before the Ptolemies ( De arch . Account must be taken of differences now recognised to exist between specific regions within the empire or, indeed, between individual cities within a single region such as Asia Minor.”, Bielman 2003:51-2 writes: “...il indique que l'on ne naissait pas reine, mais qu'on le devenait par l'union avec un roi. "Les Celtes en Anatolie". [2] Apollonis outlived her husband, who was approximately 30 years older than her,[1] by many years. The Journal of Hellenic Studies 11 (1890): 181-209. doi:10.2307/623420. Les Attalides, nom issu d'Attale, père de Philétairos, sont une dynastie hellénistique qui règne sur la cité de Pergame, située en Éolide, après la mort de Lysimaque, l'un des diadoques d'Alexandre le Grand. Gautier 1985:74-5 and Carney 2011 both note that queens served as a role model for the female population. Second, I analyse its learned re-use of the literary past and allusive engagement with scholarly debate. L'ouvrage r unit des contributions r alis es dans le cadre d'un Dipl me d'Etudes Avanc es organis entre 2000 et 2002 par les Universit s de Lausanne et de Neuch tel. In his words, ‘The exponents of Hellenistic culture had an urge for, also knew the opposite urge: an urge for grandeur, the peculiar, the monstrous and the baroque ...’, poetry contains moments of a grander and more baroque character; scholars have previously, opposition posited between Pergamon and Alexandria is, in many ways reminiscent of that once imagined between, Apollonius as the grandiose epicist and Callimachus as, 64 with further references). 2005."Recherches sur les textes de la pyramide de la reine Ankhenespépy II. Carney, Elizabeth. Bevan 1902, 2 .212 . It shows how recipients of both poetry and art are brought into close sensual and emotional association with them, concluding that the aesthetic at work behind these strategies is dominantly pleasure. An institution found and lost again’. J.-C. et fonde la dynastie qui règne sur le royaume de Pergame jusque 130 av. But she would also become a model of motherhood in the context of Greek ideology, where having male offspring was the vital goal of every free woman. Trouvé à l'intérieur62 OGI 291–6. 63 The imprint of Attalid women, particularly Apollonis, in the urban landscape of Pergamon is analyzed at length by Mirón 2016. ... Réflexions sur les reines attalides et séleucides. ... Kosmetatou, E. 2003. История Пергамского царства продолжалась полтора столетия — с 283 по 133 г. до н. э. и составила лишь одну из страниц богатой и сложной древней истории Малой Азии 1.. Малая Азия сыграла весьма значительную роль в истории . These were, of course, the proverbial Attalid family values. Van Looy, Herman. Walbank 1993:216 argues that there is “no evidence for an official dynastic cult in Pergamum but they were given cult recognition in many cities.” This ambiguity extends to Apollonis; her post-death cults are in too many places to which she had political ties to be entirely random civic cults, but not large enough to qualify as a formal dynastic cult. The Great Altar of Pergamon, a massive stone podium about one hundred feet long and thirty five feet high, was originally built in the 2nd century BCE in the Ancient Greek city of Pergamon (modern day Bergama in Turkey) in north western Anatolia Φάτις νικηϕόρος: frammenti di elegia encomiastica nell’età delle Guerre Galatiche: The Well-Read Muse: Present and Past in Callimachus and the Hellenistic Poets, The Scroll and the Marble: Studies in Reading and Reception in Hellenistic Poetry, Filologia e interpretazione a Pergamo: la scuola di Cratete, Imaginary Greece: The Contexts of Mythology, De la scène aux gradins: thêatre et représentations dramatiques après, The Aesthetics of Dialect in Hellenistic Epigram, Griechische Epigramme auf Sieger an Gymnischen und Hippischen Agonen, The New Posidippus: A Hellenistic Poetry Book, Universe and Inner Self in Early Indian and Early Greek Though, Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos, (Hellenistica Groningana 1) (Groningen) 79–97, Nicander: The Poems and Poetical Fragments, (Brill Studies in Greek and Roman Epigraphy, Thucydides and Pindar: Historical Narrative and the W, Theocritus: Encomium of Ptolemy Philadelphus, (Hellenistic Culture and Society 39) (Berkeley. J.-C. C'était un temple périptère dorique orienté au nord, à 6 × 10 colonnes, avec une cella divisée en deux salles. Le royaume de Pergame fut réorganisé dans la province Romaine de l'Asie et les Romains mirent à sa tête des hommes à eux de confiance, cependant, les troubles persistèrent jusque sous le règne d'Auguste (27 av.J.C-14 ap.J.C) où le calme fut rétablit. similarly distinguishes the τέχνη of Theodorus and the τάξις of Homer, It is likely that all these examples offer variations on a common artistic, Of course, we cannot rule out entirely the possi-, On any interpretation, however, this linguistic similarity, Our evidence is undeniably limited, but from what, And much Pergamene art, too, is heavily allusive, But even more tellingly, we could look to Per, Rather than distinguish between Pergamene and, After all, even the most refined of ‘Alexandrian’, See, for example, DeForest (1994). This agency points out how Attalid monarchy acted as the power of a family, how the Attalids used kinship in diplomacy, and how political loyalty to the kings was ultimately loyalty to a dynasty. 159-174. unchanged if we explored further extant epigrams and fragments of a Pergamene provenance. Van Looy 1976:155 mentions a visit to the temple of Apollo Klarios with her sons ; Polyb 22.20 recounts her visit to her hometown of Cyzicus after 184 BCE. 1 (2017): 126-158,  doi:10.1484/J.RFIC.5.123424; 24. It is possible the image of Hera was solely associated with Stratonice, in representative of “the most important protectress of the rising generation of Pergamum” (Fehr 1997:53), but this continues to circle around to Stratonice’s modeling after Apollonis. Philetaerus reigned 282–263 BC. I argue that this evidence requires us to reconsider the extent of allusion in archaic and classical Greece and to rewrite traditional narratives of literary history. . Les sources épigraphiques de Pergame présentent d'indéniables difficultés pour appréhender la place des femmes dans la vie publique de la cité (rareté des femmes évergètes ou magistrats/ liturges, textes courts et stéréotypés). By the Hellenistic period, ruler cults were a relatively well-established aspect of Greek culture,[63] particularly in the introduction by the polies or by a ruler in honour of a deceased family member. Her main project in life was the expansion of the Sanctuary to Demeter at Pergamon, which was likely made in honour of the birth of her sons[13] and expanded upon the smaller original[14] by Attalus’ ancestor, Philetairos[15] through her own dowry funds[16]. Trouvé à l'intérieur – Page 263XII - XVI ) signalant titres et fonctions , axes de recherches et principales publications . La matière confiée à cette ... 9 par J. B. Scholten ) ; Les Attalides de Pergame ( chap . 10 par E. Kosmetatou ) . Sur le thème « Changement et ... future) rule through the authorizing precedent of literary myth, while also asserting their success. “The Masculinity of the Hellenistic King.” In When Men Were Men: Masculinity, Power and Identities in Classical Antiquity, edited by Lin Foxhall and John Salmon, 111–135. Welles, C. Bradford. .] Whilst this is not the basis of a formal study, one could argue that Cyzicus’ value on education transmitted itself through Apollonis’ involvement in guaranteeing them an excellent education (OGIS 248), which may have been what ultimately inspired her sons to sponsor the creation of the Library of Pergamon. Enrichie de plans levez par l'auteur sur les lieux, et des figures de tout ce qu'il y a de plus remarquable dans cette ville, Paris 1680 Grierson, Coins 2.1 : Ph. Maltomini, Francesca. Athletic contests had long held a metaliterary resonance in the literary tradition, primacy amongst its predecessors; poet and victor stand at the head of the literary and political, role that poetry in general, and this poem in particular, will play in preserving and commemo-, complains to Hector that Zeus has set an evil fate on her and Paris so that they might be the. Ma 2013, p. 81, 101-103 ; Mathys 2012, en particulier p. 262-269. Sève, Michel, and Patrice Schlosser, eds. The association of Demeter with motherhood and fertility has previously been mentioned. Anatolie. Besides such minutiae, however, the poem also exhibits a larger interest in literary history, penultimate line, in claiming that ‘the conception is Pratinaean’, fashions this satyr in a specifically, literary mould, as a prototypical representative of satyr play, a genre whose invention was attributed, Dionysodorus, given that Phlian territory neighboured that of his hometown Sicyon.

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