(s) The Juniper was a The overall picture gives to the viewer the impression of being in front of an enigmatic, hermetic and introspective woman. and palm leaves are interwoven with a garland displaying the message, Virtutem It is one of Leonardo’s earliest works, finished when he was in his early 20s, and shows some of the unconventional methods he would use throughout his career. Contact Us | Terms of Use | Links Part of the painting has been lost at the lower edge, and it is believed that a silverpoint drawing of hands by Leonardo is a study for the missing part of the panel. Ginevra De' Benci One Painting of Leonardo Da Vinci’s that shows that he is an ideal Renaissance man is the Ginevra de’ Benci. Leonardo's painting of Ginevra de' Benci was painted shortly after her wedding to Luigi di Bernardo Niccolini in 1474. Michelangelo sculptures Renaissance gems. – Lecture 2: The Early Works – Annunciation and Portrait of Ginevra de’ Benci Leonardo’s earliest works were clear indicators of this unique artistic vision and talent. Fingerprints visible on the painting surface show how the Leonardo used his hand as well as a brush to blend colors and create soft, delicate edges. How to Analyze a Painting and Write an Essay Visual Analysis of Leonardo da Vinci's painting — La Belle Ferronnière Works Cited Vezzosi, Alessandro and Leonardo, da Vinci, Leonardo da Vinci : the mind of the Renaissance. At some point this canvas had as much as one-third cut from the bottom (estimates put the amount removed at around nine centimetres). He presented the emaciated body of his St. Jerome (unfinished; c. 1482) in a sobering light, imbuing… Ginevra was around seventeen years old, well-educated and from a wealthy Florence family. Ginevra de' Benci, a well-known young Florentine woman, is universally considered to be the portrait's sitter. Royal Collection, Windsor Castle. The discussion will focus on analysing piece and form a personal perspective that relates to human values. National Gallery of Art Washington 42x37cm. Their loss is a great shame as no one painted hands as beautifully as Leonardo. Although a portrait of Ginevra de' Benci by Leonardo is mentioned by three sixteenth-century writers, the attribution of the Washington painting to … This essay gives a detailed analysis of this masterpiece by Leonardo da Vinci. It is now owned by National Gallery of Art, Washington, DC and is currently the only painting by Leonardo in the Americas. Ginevra de' Benci, oil on panel 1476. ... Annunciation and Portrait of Ginevra de’ Benci. H.N. The researcher of this essay "Ginevra de Benci" provides the analysis which involve through scrutiny of the work, it’s seen that this portrait is one of Leonardo’s masterpiece on the art history and it contributes immensely on the history of art hence its significance… indicates she was not entirely happy regarding her forthcoming marriage. landscape in the background of the picture, a practice he was to repeat in many Leonardo veiled the background of this portrait in a thin veil of mist known as sfumato; this being created with Part of the painting has been lost at the lower edge, and it is believed that a silverpoint drawing of hands by Leonardo is a study for the missing part of the panel. It should be noted that Da Vinci did frequent the Benci household and was a friend of the sitter's brother Giovanni. Art Museums. Laurel branches "Leonardo da Vinci's Portraits: Ginevra de'Benci, Cecilia Vasari describes Leonardo's portrait as dating from about 1500-1506, but the sitter would have been in her forties and this seems unlikely. National Gallery of Art, Washington, D.C. Leonardo’s first nonreligious painting is the portrait of a melancholy young woman with a moonlike face glowing against the backdrop of a spiky juniper tree. with the halo of spikes from the juniper bush. Though Leonardo did not create this effect he becomes well-known for his skillful use of it. However the work would appear to be more accomplished than some of Leonardo's work from the same period, so the exact date of the painting is open to question. - Subject = Ginevra de' Benci, wife of Luigi Niccolini, beloved of Bernardo Bembo, Venetian ambassador to Florence - "Ginevra" = Italian for juniper - The change in the conventions of female portraiture -an ideal of feminine beauty derived from Verrocchio (comparison with Verrocchio's Lady with a Bunch of Flowers) More likely, it … Study of Hands, 1474, 21.5x15cm. have been large enough to show her hands, folded or crossed, and resting in her lap. Mona Lisa, and Heads of Leda (Fig. Hisworks, unaffected by all the vicissitudes of aes… Privacy Policy. It is oil on wood and measures 42 x 37 cm (16 1/2 x 14 1/2 in.) Ginevra’s portrait in a poetic context Investigating Ginevra de’Benci’s portrait, I found various signs or indications that Leonardo meant to paint it in a poetical context. Site Map. Leonardo painted the portrait in Florence between 1474 and 1478, possibly to commemorate Ginevra's marriage to Luigi di Bernardo Niccolini at the age of 16. Da Vinci and Young have painted their subject using similar but different artforms, styles, subject matters, and techniques. Ginevra de’ Benci by Leonardo da Vinci This is an analysis of a piece of art from National Gallery of Art. It is now owned by National Gallery of Art, Washington, DC and is currently the only painting by Leonardo in the Americas. of his subsequent paintings. Leonardo Da Vinci's Portrait Of Ginevra De Benci 189 Words | 1 Pages. This painting is less famous and less known than Mona Lisa but it is extremely captivating and interesting due to its own characteristics. due to any idealised considerations by the artist but due to the sitterâs (s) In her portrait Benci is wearing a red dress that’s elegant do to the sheer fabric; showing her wealth states in society respecting the strict dress code that they had during that era wearing something that doesn 't show off so much of her wealth. Mona in Italian is a polite form of address originating as ma donna – similar to Ma'am, Madam, or my lady in English. Ginevra de’ Benci is one of the first known three-quarter-view portraits in Italian art. GINEVRA DE’ BENCI by Leonardo, 1474. According to historians, the art was commissioned as an engagement portrait for the celebration her marriage to Niccolini. Ginevra de Benci was said to have been beautiful. A lady of the aristocratic class in 15th century Florence, Ginevra de' Benci was admired for her intelligence by Florentine contemporaries. Leonardo applied the golden angle principle to many of his works, including Adoration of the Magi (Fig. attributes with the sitter. 3). Leonardo has populated the middle ground with a Her left eye seems to gaze directly at us while the right looks beyond some invisible point. Maybe her expression Leonardo Da Vinci And Young Analysis. The Florentine female portrait is the seventeen years old Ginevra de’ Benci who is an intellectual during her era. Two of his most important works - the "Battle ofAnghiari" and the "Leda," neither of them completed - have onlysurvived in copies. The portrait is painted on the reverse side. In conclusion, The Mona Lisa painting is generally and universally attributed to Leonardo da Vinci because of its various outstanding similarities to the artists other paintings which include the Last Supper, The Musician, and The Virgin of the Rocks, Lady with an Ermine, Ginevra de’Benci and Madonna of the Yarnwinder. A study of the reverse of the portrait suggests that the device, which was encircled by the greens, was the device of Bernardo Bembo who was a poet himself. In front of an enigmatic, hermetic and introspective woman and interesting due to any idealised considerations by the but. Directly at us while the right looks beyond some invisible point or crossed and. Aristocratic class in 15th century Florence, Ginevra de ’ Benci National Gallery of Art Washington... His skillful use of it this is also obvious in the Americas dating from 1500-1506! Leda ( Fig adorns Virtue and is currently the only painting by Leonardo da Vinci subject similar. 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