Agitated figures, shallow depth, and a cool-toned, colorful palette characterize his very personal style. Hans Holbein came to London from Switzerland in 1526, only a year before he dated this portrait. At Breitenfeld, on 17 September 1631 to the battle between the imperial forces under Tilly and Pappenheim and their Swedish and Saxon enemies, which was lost by the Imperialists. He therefore came up with the idea of a dam to impound the river leading to the fortress by the Oker. Classic Paintings. In Europe wedding ring is worn on the right hand. Unsigned. He designed the east facade of Hapsburg’s new customs house, basing his architectural forms on his father's ideas and on contemporary architecture. Creator: Bernardo Strozzi. Wide ruff is typical to the brake of the centuries rather then the middle. From Paderborn Soest him to the cities opened the doors without a fight. A Virgin with Child and Saints from 1526 is in the Lee Fareham collection of Richmond. Joseph Heintz received his early training from a painter and from his father, an architect-mason. The only reproduction that I was able to find of of miserable quality. This is Heinrich, Marschall von Pappenheim. Forced Catholicizing of the country, he dissuaded the Emperor, and when it was still arranged, he was trying to win the subjects by kindness. Particular unusual fold of the ruffle suggests that model belonged to the court of Emperor of Holy Roman Empire Rudolf II. Romani Juana - Portrait de femme sur fond rouge.jpg 378 × 473; 29 KB Romani Juana - Portrait de femme.jpg 2,853 × 2,200; 2.94 MB Romani Juana - Portrait of a lady in blue.jpg 1,866 × 3,452; 3.97 MB Johann Albrecht Count Of HOTTINGEN-SPIELBERG (Elisabeth Countess FUGGER4, Marcus Count FUGGER3, Anna REHLINGER2, Hans REHLINGER1) was born 1591 in Of, Hottingen, Schwaben, Bavaria, and died 18 Jun 1632 in Landsberg, Oberbayern, Bavaria. In the autumn of 1623 he returned to Linz. During the fighting, a fire broke out, as a result of Magdeburg was almost completely destroyed (see Magdeburg wedding).In September 1631 Pappenheim came with his troops on a reconnaissance ride near Leipzig in the Swedish camp and engaged the Swedish arbitrarily in heavy fighting. Then besieged and conquered the town of Pappenheim, who used his troops as a base for 25 weeks. who married into HOTTINGEN-SPIELBERG- FUGGER family. to Prague, naming him "portraitist and court painter" and ennobling him in 1602. continued to visit and work in both countries, drawing and copying Italian works of art while serving as Rudolph’s art agent and making his own pictures. By tough defensive battles Safe Pappenheim's withdrawal of troops cuirassiers Tilly.After the battle the troops were operating independently of Pappenheim in Westphalia against the Swedes. We can see similar fold on the portrait of Sdrian de Vries and then on, Self-portrait of Batholomäus Spranger (1546 – 1611), If we turn attention to the jewelry of the sitter, we will notice ring in the shape of flower or star on the left hand. One can see number 521 inscribe on the bell of the girdle of the model. Upon arrival in Worms, Luther is greeted by the Reichsmarschall, Ulrich von Pappenheim, who informs him that His Imperial Majesty the Emperor will publicly recieve him at  four o'clock the following afternoon. Otto van Veen published books of emblems. In advanced age he married in 1593 the younger by forty years ago, Maria Salome Preysing-head Castle. In 1500 he moved to Milan with his father. 1564 Basel, Switzerland, d. 1609 Prague, Czech Republic draftsman; architect; painter German; Swiss. On the right hand is the Ruby Ring. She was second wife of Viet von Pappenheim hereditary Marshal of Holy Roman Empire. It is signed with the artist’s initials in a monogram at the upper left corner next to the date, of which only three numbers are now legible. He also studied ancient art and copied paintings by Renaissance artists such as Raphael, Michelangelo, and Polidoro da Caravaggio. His first fresco works are an Adoration of the Magi in San Pietro of Luino (c. 1505) and the attributed fresco in the presbytery of Monza Cathedral with St. Gerard of the Painters. This date-1521, was the main clue in attributing personality and artist of the “Portrait of the Unknown Lady from 16-17 century.” from Heckscher Museum of Art. It is interesting at the same time that there exists portrait of Maximilianus, Reichserbmarschall, Count and Lord of Pappenheim, Landgrave of Stühlingen with wife. It is interesting, that original name of the clan was Haupt. About his secret marriage to Rudolf II compare this figure to the left is a coin/token that Heinrici. 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