), framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in. Though it was preserved and attached to the stretcher of the present canvas, the inscribed section of the panel unfortunately disappeared sometime after it was re-examined in connection with the Gallery's summary catalogue of 1965. 1490–1500. overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in.) The Adoration of the Shepherds by Lorenzo di Credi. 25, repro. Lorenzo di Credi trained in Andrea del Verrocchio’’’’’’’’s Florentine studio alongside many of the leading painters of his generation, including Leonardo da Vinci, Perugino, Botticelli and Domenico Ghirlandaio. Art Reproductions Portrait Of Lorenzo Di Credi - 1488 By Vannucci Pietro , Artworks "Portrait of Lorenzo di Credi" Vannucci Pietro (Le Perugin) - 1488 : Actions. For centuries, this was thought to be a self-portrait signature: however, starting from the 20th centuries the work was attributed, due to styilistical considerations, to Pietro Perugino (in particular, for the similitarities to the Portrait of Francesco delle Opere at the Uffizi), who had studied with Lorenzo in Verrocchio's workshop. 18 1/8 × 12 13/16 in. Portrait of Lorenzo di Credi, an Italian painter who was a pupil and lifelong friend of Leonardo da Vinci. [3] According to Widener collection cards, in NGA curatorial files. Portrait of a Young Woman ca. He eventually became Verrocchio's primary assistant and inherited his workshop on Verrocchio's death in 1488. Dimensions: height x width x depth: 57.2 x 39.3 cm. Examples include: Hans Memling, Portrait of Benedetto di Tommaso Portinari (1487) Rogier van der Weyden, Portrait of a Lady (c. 1460) Lorenzo di Credi, Presumed portrait of Caterina Sforza (c. 1481–1483) Lorenzo di Credi, Portrait 1459, Firenze, d. 1537, Firenze) Portrait of a Young Woman. The melancholic expression, as well as the black clothes, are perhaps connected to the death of the common master Verrocchio, which occurred in 1488. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Metropolitan Museum of Art, New York. Tempera and oil on wood, 59 x 40 cm. 1475-80. Galleria degli Uffizi, Florence. framed: 63.8 x 50.8 x 5.7 cm (25 1/8 x 20 x 2 1/4 in. Mona Lisa, the portrait of a bourgeois woman of Florence, also represents a synthesis of Renaissance artists’ experiments with the portrait genre. [1] A red wax customs seal still on the back of the panel reads "DIREZ DELLA R. DOGANA DI FIRENZE"; the "R." which stands for "Reale" ("Royal"), suggests that the painting was cleared for export under the Hapsburg-Lorraine regents. This would explain why she is … Display this Artwork on your website National Gallery of Art, Washington, DC, Widener Collection Image courtesy of the Board of Trustees, National Gallery of Art [1] William Beattie, Glasgow, Scotland, by 1901. Portrait of Lorenzo di Credi, 1488 Oil on panel transferred to canvas, 44 x 30.5 cm (17 5/16 x 12 in.) A beauty. Lorenzo di Credi (1460–1537). One of the finest is at Pistoja, originally painted for the hospital of the Ceppo. Notably, the composition is strikingly similar to one of the most controversial paintings formerly given to Lorenzo di Credi, the Portrait of a man in the Uffizi, Florence (1890 no. On Verrocchio's behalf he completed the famous Madonna di Piazza for the cathedral of Pistoia, commissioned to Verrocchio in 1475 but executed by Lorenzo between 1485 and 1491. MET, NYC.jpg Flickr is almost certainly the best online photo management and sharing application in the world. This painting reflects an important step in the evolution of Florentine portraits of women: earlier examples almost always show them bust-length and in profile. The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States. The Virgin and Child, 15th - 16th century . 114, as Self-Portrait by Lorenzo di Credi. Enable magnifying glass. This recreated Lorenzo di Credi's replica is manually reproduced with oil by our master artists, defining every brushstroke to reinvigorate an original to its glory. Lorenzo di Credi (1459 ca. Gabriel - Detail of The Annunciation. (painter) Closed, Sculpture Garden - 1537 ca.) Probably private collections, Florence, until at least the mid-eighteenth century. Portrait of Perugino, 1504 by Lorenzo Di Credi (1459-1537, Italy) | Museum Art Reproductions Lorenzo Di Credi | WahooArt.com View Lorenzo di Credi’s artworks on artnet. The Sculpture Garden is now open from 11:00 a.m. to 4:00 p.m. daily. Credi was a very fine craftsman, but he lacked a distinctive style. West Building )overall (with added border): 46 x 32.5 cm (18 1/8 x 12 13/16 in. 46 × 32.5 cm. 4th St and Constitution Ave NW ), Pietro Perugino Before the painting was transferred to canvas, the wooden support had the inscription "Lorenzo di Credi, pittore più eccellente, 1488, età 32 anni, 8 mesi", perhaps added in the 16th century. He first influenced Leonardo da Vinci and then was greatly influenced by him. [2] He lent the painting to a 1901 exhibition in London. This damaged but evocative portrait has been identified as the widow of the artist's brother, who was a goldsmith. Painting by Lorenzo di Credi , 15th century. [2] (Arthur J. Sulley & Co., London); sold 16 January 1911 to Peter A.B. Order a reproduction. Museum Kunstpalast. He wears a black berret and a blouse of the same color, the collar of a white shirt barely visible at the neck. The West and East Buildings remain closed at this time. The Portrait of Lorenzo di Credi is a painting by the Italian Renaissance artist Perugino, dating to around 1504 and housed in the National Gallery of Art, Washington, DC, United States. Widener by gift through power of appointment of Joseph E. Widener, Elkins Park, Pennsylvania; gift 1942 to NGA. Portrait of a Young Woman Lorenzo di Credi (Lorenzo d'Andrea d'Oderigo) (Italian, Florentine, 1456/59–1536), detail. A Century of Progress Exhibition of Paintings and Sculpture, Art Institute of Chicago, 1933, no. Gift through power of appointment of Joseph E. Widener, Lynnewood Hall, Elkins Park, Pennsylvania [... Of her as a belle, or bella donna man of deeply character. 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